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Predictably, the first step in the project is to tack all the boundaries of the work in colour-coded machine thread - three threads under, three over. These provide the boundaries for the various panels required to complete the project for assessment. It took me a couple of weeks of whenever-I-could stitching to complete this task - and a bit of unpicking. You know, of course, if you have it wrong, as your edges and intersections do not work out.
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There are three squares in the centre of the piece. These are to be worked in our own choice of three different pulled thread patterns or stitches. I chose mine from
Danish Pulled Thread Embroidery a book I liked so much I sourced and bought my own copy.
These are far from perfect, but I don't plan to undo them. The diagonal line on the one on the left show where I started - then repeated a line when I picked up the other half.
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I worked my first free-choice panel with a bargello stitch over 4 threads, with an off-set of two threads. I started with a stitch over 3 threads, but soon learned that working over three threads meant off-setting by 1 thread only, creating a very tight pattern and considerably more work. The 4 thread version looks bolder and neater.
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As my second counted thread panel, I chose a design from Japanese Kogin.
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My third is Swedish Sollerosom.
For my final counted thread panel I tried a pattern from Yvette Stanton's latest book,
Smoyg: Pattern Darning from Norway. It is a simple motif - chosen because, at 21 threads wide, it fits my panel!
This post is a summary of many months work. I have averaged one panel each month on this project. There is no hurry - no pressure to do anything other than learn. It's a lot of fun researching and choosing the stitches.
Now I have to do the drawn thread panels and the numerous edging sections. This needs to wait until I get some help later this month!
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