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I've been working on another of Alison Snepp's Turkmen Pouch (Inspirations 69, 2011). Back then I made one, and yes, the green fabric is the same. I've made many variations on this. The shape is versatile. I cut this out a couple of years ago, when a friend wanted to make one. She finished hers long ago and my fabric stayed in the drawer, cut out but not assembled. The friend now has a craft group engaged in making them, and got me involved.
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I had to remind myself of the processes for putting it together. Measuring - never my strong point - is crucial, because the design depends on a more-or-less perfect square. Given the dominance of the wattle lining fabric, I decided to limit myself to threads in the colours in that print - greens, yellow and a little bit of brown. There was already enough black!
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The design calls for button-hole pinwheels in the squares of the grid. I don't much like stitching them and I decided it would be fitting to use Ghiordes knots to make little wattle blooms instead.I fluffed them up using my faithful boo-boo stick.
I liked the result.
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The edges are decorated simply, the piece folded and the joins ladder stitched. While this was easy stitching, the black fabric was a bit denser than is ideal for hand-stitching. I realised that the next steps were not going to be easy.
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I tried several different needles and threads, but stitching along the edge was difficult through 4 layers of fabric, two of them dense. While the colours work, and it has an appropriate folksy look, the stitches are far from smooth and even.
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Similarly, the triangular insert with it's turkmen stitch, gives the right effect, but isn't accurate.
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The pouch did, however, join up nicely. and works together as it should.
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The final challenge was the button and tassels. The button was easy. I have had this one from Tasmania for quite some time. Made from a large gum nut, the clever artisan who made it inserted a piece of fine dowel to form a shaft. It was, I think, a gift from my daughter Alison after a trip to Hobart. It was easy to add a tassel and attach it to the point of the fold-over, then to make a loop on the back of the pouch
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I gathered a few small gumnuts from a street tree and gilded them with acrylic paint, then tested them as a tassel. I decided against it. I thought they would make the pouch a bit fragile and involve too much glue. The gumnuts are too hard to pierce easily with a needle.
The pouch needs to be used without fear of damaging part of it.
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I opted instead for a tassel from variegated linen thread with one gumnut attached. I was able to pierce the gumnut with the point of a darning needle, then insert a fine needle through the small hole with machine thread attached. Once through, I attached a bead to one end of the the thread and tied it on with several knots, then pulled it into the gumnut as a stopper. The other end of the thread I stitched to the tassel.
If the gumnut comes off in use not much is lost and the tassel still functions.
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This is how it folds over for closure.
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It can, of course, be easily used without the closure.
I'm satisfied with this finish.
The pouch will be useful, and act as an example to anyone wanting to make one in the future.
2 comments:
What an interesting piece! I so like the fluffy wattle blooms, the lining fabric and the gumnut addition to the tassels.
Many thanks Lyn. It was a lot of fun. I’m glad you like my adaptations!
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