My Kasia Jacquot bag stash

The Aurora bag was the seventh I have completed from the Kasia Jacquot printed panels I accumulated, either as kits or simple panels, paired with Semco craft bags purchased from Spotlight. (Ania, Veronka2, Eve, Marta, Stanley Veronka1). I have given two away, and will no doubt do the same with the remainder. At the moment one of them holds my remaining Kasia Jacquot purchases awaiting attention (photo below),

I don't often get the iron out, so while I had it out to iron the Aurora bag I ironed the remaining panels and their designated bags, spreading them out on the table to dry.

I had to spray them with water in addition to using the steam iron in order to get out the creases. 

These are the 8 waiting to be stitched and constructed. The green one is in a hoop waiting to be embroidered. It marks half-way. 

Now they are dry, they are rolled and stashed in a bag, along with a couple of Stick and Stitch kits.

What, you will ask, is she going to do with 15 bags? A question to which I don’t have a definite answer. I will give them away, either as gifts, or to a cause. I wasn’t motivated by a target market. I love the panels - the designs, colours, creativity, and I love stitching them. I also think bags are useful and might as well be attractive.  Who wouldn't want one?

Oh, and if the unlikely happens, and I get bored with stitching these, I still have enough Ink and Spindle fabric for 20 more tote bags cut out ready to stitch. 

Better get on with it.

Aurora Bag

I got going on the Aurora embroidery almost as soon as I finished Ania. When you're on a good thing.... 

I worked the outside border and thick brown stems first, going along with the stitch suggestion of herringbone. I had some variegated thread - purple through to brown - which I used on the border, reverting to plain brown for the stems.

One example for this design shows the leaves stitched in a light green thread over both underneath colours. I liked the idea and tried it. 

I'm pleased with the result. I used two different light green threads, the limey one sparingly.

Again, I rejoice in the way the colours and use of 6 strands give dimension to the piece and make stitching so interesting and rewarding.

 I ironed and pinned it to the chosen bag as soon as it was finished. deciding to stay with the whole piece rather than reduce it. The uneven shape and corner decoration seemed to demand space.

 

I'm a bit inclined to add a herringbone border around the edge of the panel, but for now I'm pressing on with another panel and bag. I have another Aurora panel to play with, so might work it out between the two resulting bags.

Ania Bag

At the end of my last post, I had begun this embroidery, Ania, on my way to another bag. As I mentioned, Kasia Jacquot hasc sold off the last of her coloured linen panels and has moved on to  Stick and Stitch versions of her designs.

I have bought the Stick and Stitch version of Ania with a view to embroidering a top to go with the orange pants I embroidered. As you can see, there is a vast difference between the colourways.  I decided to largely stick with the original printed colours.

I also decided, however, to use a variegated approach on the leaves - a variant introduced in some of her examples. (The teal colour below is the accurate one!)

I enjoyed  all of this one. They are such clever designs to stitch. The stitches themselves are routine and familiar, but you have to keep thinking about colour, stitch choice, alternatives, density. Nothing is to be taken for granted - and they are designed that way. 

The result is highly textured - and rich.

I had intended this to be added to a blue Semco craft bag, in the same way previous panels had been added to similar bags, so ironed and pinned it accordingly.

I wasn't sure though. 

I tried folding it into a pouch. While I liked the way this displays the stitching up close, I was worried the same stitching would not stand the wear it would get when the pouch was used.

I tried it folded smaller and reflecting the shape, placing it straight and angled.

In the end, I settled for the smaller version placed straight in the centre, machined it on and ironed it again.

At the moment this is my favourite of the Kasia Jacquot bags I've made so far. The embroidery pops. While the bag will be used, I feel the embroidery is less likely to get in the way of it than it would have on the pouch, and somehow the smaller format draws attention to the embroidery more directly.

Next I think I'll tackle Aurora.

Another Veronka bag

 

Kasia Jacquot is moving away from designs printed in colour on linens. Her latest focus is on stick and stitch versions of her designs.I’ve bought a couple of those to try, but it was her colour-printed linens that first drew me to her work, when I saw a couple of them tin the Art Gallery shop during the Radical Textile exhibition. As part of her shift to stick and stitch she had a sale of the coloured linens and I bought some. Enough, in fact, to keep bags flowing for a while.

I mounted this one up at the end of November to give myself a break from knitting. It is the Veronka pattern I had embroidered back in March. I used a snap frame so I could see the whole square design. 

I didn't get far with it as Christmas demand took over.

On New Year’s Day, having finished my knitting project, I returned to it. I was short of a few of her preferred threads, and Create in Stitch was closed for a well-deserved holiday break, so I substituted. 

I've been mounting each finished panel on a suitably coloured Semco cotton craft bag from Spotlight. I store each panel with its intended bag, but I didn't find one with this panel, so when I discovered they were on sale at Spotlight, I paid a visit and stocked up. I also bought a few replacement threads. Of course, later the same day I found the missing bag tucked into a pouch!  I think, however, the white one in the new batch is a better match than the original calico I chose.

The snap frame worked but the plastic screws on my wooden sitting stands have all worn. Even with plumbers’ tape they need constant tightening. I worked the centre heart, then the lower flowers, followed by the side ones, adding a few dashes of yellow on the leaves and the last of the dots. I really love the pattern, the colours and the texture.

I took it out of the frame to finish the edging. As well as the outer row of running stitch I  caught the herringbone down with the same over the crosses.

It has been a pleasure to stitch, a variety of stitches, colours and shapes that change as layers are added, but not large enough to become repetitive or boring.

I machined the finished panel on to the bag: stronger, I think, than hand stitching.

This is the finished bag, before ironing. I will leave that until I have several finished bags - or something else needing ironing.

Until then, it is folded up  as it will eventually be as a  shopping bag.

Meanwhile, I have started on the next one, Ania.

Spritz - my 2026 cardigan!

I set myself a goal not to carry the knitting of the Spritz cardigan, begun back in September into 2026,  I finished the second front on 21 December and began the sleeves the same evening. 

Because I had made the body so much bigger than the drop-sleeve pattern in order to get a very loose fit. the sleeves were much shorter than the pattern indicated.  Even so, as I had a bit to do in the following week, I did not finish the sleeves until 30 December.

While they look skinny here, they are not in fact so. The body is just very large. I was right to estimate at the beginning that I would need extra yarn.  Towards the end of the second sleeve I started the first of the two extra balls I had bought.

I began the left band immediately, picking up 205 stitches from centre neck to bottom band, finishing it in the afternoon of New Years' Eve. The race was then on to finish the right hand band by midnight! Did it matter? Not really, but the idea of entering the New Year with it finished was very appealing.

Before I picked up the stitches for the right hand band I went hunting for buttons. I had been thinking about this as I knitted. These were what I tried. They needed to be large. The pattern stipulated 6 - and my garment was longer than the pattern

This was the one I really wanted to use. It belonged to my mother, saved from some garment - probably a coat - she had, I think, in the 1940s. While it was possibly still in use in the 1950s, I don't remember it. The buttons I remember being around forever. I think there might also have been pink ones.

The problem was, I only had three.

I decided to make do and marked out three button holes, picked up the stitches and knitted while watching TV - not quite making  my midnight goal,  but finishing  at 12.08am, before the end of the Sydney fireworks telecast. 

The buttons, I decided, as I lined them up, could be stitched on later in the day.

So here's the finished product, now folded and in a drawer. It's 30C here today. Even taking the photo, I was too warm! It will, however, as I had originally thought, get good use in Spring and Autumn. 

Unfortunately, there is a ball and a half of yarn left. I could knit a hat - but I'm unlikely to wear it.  At some stage I might come at a shawl, but for now I'm looking forward to some embroidery!