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Showing posts with label Au ver a soie. Show all posts
Showing posts with label Au ver a soie. Show all posts

Friday, July 4, 2025

Another Glazig bag

 

This design last featured here in March of last year, when I used it as part of a Certificate Workshop on Glazig Embroidery. As well as very small samplers for students to work, I had purchased a few printed linens of this design for interested students, and began working one, just to show recommended stitches. 
I dug it out this week, because I have been preparing a presentation on Celtic Embroidery for next week's WES meeting, and thought it timely to finish this as yet another example of the genre. It was still in the hoop (yes, with a solid indentation).
I worked with the required Au Ver a Soie silk perlee threads.The workshop had depleted my thread supply in a few colours, notably blue, so my palette was a bit limited, but not onerously so.

It is slow work, requiring a magnifier. I stuck to the more commonly known sitches used in Glazig - buttonhole, satin, stem and fly stitch. 
There is a larger void than in the previous examples I worked, but I rather like that.
The linen on which it was printed was a little wider than A4, so once again, I turned it into a zippered bag. The last one worked very well.
The cutting out, finding lining, constructing bag and strap all went well. I bombed, however, putting in the strap, forgetting that, with a zip, it needed to go on the outside of the bag! 

Once I had unpicked the (very secure) attachment and resecured on the outside, all was well.



I am pleased with the batik I found for the lining. It seems to blend well with the embroidery.

So I have another example to accompany my talk next week and a bag that someone will like and use.

I have three more of these printed Glazig linen butterflies which I will probably keep for teaching purposes, and one I haven't worked of a flamboyant bird.  I'm certainly not working that before next Wednesday, but maybe some rainy day......

Meanwhile, I've enjoyed this one - and dedicate it to Genevieve, who first introduced me to Glazig. Merci beaucoup!

Saturday, March 30, 2024

More Glazig Workshop preparation

Over the Easter weekend I have made an effort to work the two samples I need for the Workshop I have to give later this month. I was hopeful this is the last of my preparation, following the printing of notes and linens earlier this month. 

The samples are about 2" square. While they are not overly ambitious, they each require 5 or so different stitches and the use of Au Ver a Soie Perlee thread - quite a bit to get used to.

I worked in a seated hoop stand. I needed both hands to maintain tension, as well as protecting my wrist.

I used the smallest piece of linen I had printed for the first one - figuring better for me to use than a student. I stitched it to a piece of old sheet to fit it into the hoop.

It was relatively straightforward until I came to the open chain border, which was very awkward to manage in the hoop, so I ended up taking it out and working it in hand. 

The green section is a feather stitch, the beige ones and the pink flower are buttonhole stitch (one close together, one further apart). The red flower and the yellow centre are eyelets, the purple corner is woven and there are three varieties of chain stitch.

It's a bit rough. I needed magnification. The silk is lovely to work with and largely holds its twist. 


The second sample was in most ways simpler. The leaves and dark berries are buttonhole stitch and the red flowers eyelets. There are three versions of chain stitch. 

The photo here shows my waste knots and the simple chain stitch border before embellishment.

The embellishment proved  a bit tricky. The stitch chart lists it as chainette surjetee. The diagram suggests a series of loops under each chain stitch without anchorage. Searches in Jacqueline Enthoven's The Stitches of Creative Embroidery produced no likely stitch. In the end, I came up with a version which gives the side loops indicated in chainette surjetee and is held in place by weaving under and over each individual chain.

It will be interesting to see what the Certificate Course students come up with.


I'm a bit concerned I may not have provided enough thread of any one colour for students, especially for the daisy flower in the first sample above. I intend, however, to give them the option of cutting another length from the spare reels I have. The colour choice isn't great, but this is expensive thread, and we are, after all, learning about it.

I did enjoy this second sample, perhaps because of the colours I was using. perhaps because the border, however puzzling, was neater and easier than the open chain of the first. 

I'm no expert in this area, and I'm looking forward to learning more from the workshop as we figure it out together.









Tuesday, March 5, 2024

April Certificate Course Glazig Workshop

Last week I realised I needed to get organised for my April Certificate Course Workshop on Glazig Embroidery. The notice, with information about student requirements, needs to go into the Guild's March newsletter. 

While I have books, a finished bag, a project in progress, along with a PowerPoint  already prepared from WES Group last year, I needed to prepare student notes, plan a student project and make sure the resources are accessible. This wasn’t a straightforward task, given the specific and contemporary nature of the topic. 

I can’t invent a design of my own, and I can’t breach copyright, so am working in narrow parameters. 

I settled on two small motifs available in the book 25 Years of Glazig Embroidery. Use for study purposes should be OK. Motifs are small, simple and have stitch charts. I have 5 books of official designs and students can use any of them. 

I cut squares of linen, discovered my iron-on transfer pen was defunct,  so decided I could use (some very old) dressmaker's carbon to transfer the designs to the squares. This enabled me, in between a  hairdressing appointment,  shopping  for  family dinner and weekend house guests,  to write the notes and newsletter notice. I emailed the notice to the Guild and the notes to Officeworks for printing.

After transferring about 5 motifs to linen using the carbon, I found time for a trip  to Spotlight  between picking up the printing and taking a granddaughter to JEMS on Saturday, to buy a new transfer pen.  It is medium thickness, and worked well.

The Au ver a Soie Perlee thread used in Glazig embroidery is so hard to get in Adelaide it is unreasonable to expect students to obtain it for the workshop. I have a supply I have acquired since diving down this rabbit hole, some of it from stock clearance sales. I figured I could cut some lengths of this to add to small kits.   

I used a punch to cut cardboard circles into which I punched 7 small holes, then cut lengths of 7 different coloured silk perlee threads and attached to the cards. If students need more thread they can cut a length in class from the remaining reels.

I now have 15 kits prepared, another 5 linens printed, 5 more sets of instructions and some spare cards, so I can quickly create additional kits if required, or support students who don't want kits. 

The notice has gone to the newsletter. I've amended the PowerPoint but will check it again before creating a USB closer to the workshop.

Phew! Panic averted!