Aquile kit

I really like the work of Rita Maria Faleri. I have worked two of her mats from Inspirations magazines, and also bought her  Esemplario Book 1 , which I can’t find, no doubt on loan to someone. When Aquile was offered for sale last year through Inspirations, as a cushion, I could resist, and bought the kit. Determined not to add to my stash, I began working on it as soon as my Christmas gift stitching was finished in December.

As usual, it is worked in the hand on a very loose weave linen - about 15 threads per inch using Anchor Baby Knitting cotton (4ply).  This is not so good for my hands and the threads shift as you work on it. In the past this hasn’t bothered me much, but it did this time.

Here is my first section photographed resting on the pattern photograph. 

The instructions began with the usual direction to mark the centre lines with tacking using the machine thread provided (natural). I obeyed, but it was hardly useful as the pattern was not organised centrally (and the thread was near invisible on the linen). It would have been more sensible to mark it into three columns with coloured tacking, but I didn’t figure this out until it was too late.  I figured I needed to work the column lines first to give myself a structure in which to work, and did so. However  my count was slightly out and I adjusted accordingly. Undoing was unthinkable.

  

I found it difficult to keep my count accurate, partly because of movement in the fabric, partly from discontinuity, remembering the direction and count between sessions. It is a flowing, rather than a simply geometric design.

A close look reveals many discrepancies. The small bird figures below the eagles were particularly tricky - a small figure worked with very thick thread, so hard to get clean shapes.

I had no intention of making a cushion. I have enough and I still don’t think the fabric is suitable.It would certainly need to be lined. Like its predecessors, it’s probably not much of a mat either, but will function best as a throw. 

I modified the design, removing the small birds from the top row, adding crosses to the top of the dividing columns and squaring off the shape so it is the same size as my earlier examples.

I kept the cushion border, but it’s fractionally wider than the cushion one.

I am in the process of making onion knot tassels for each corner. This will take me a while. My initial calculation is 1000 knots, but I might simplify. I will post an update.

Because I’m not making a cushion, I have another piece of linen - what would have been the back. As much as I like the result, I’m not going to make the same again. For now the spare is put away. If that book ever turns up, I just might get it out and have a go at a different design.

More Be Alice : Fáilte

I enjoyed stitching the Irish harp and decided to buy a couple more kits from Be Alice. One I thought might make a gift for a stitcher, and the other I could make as a gift for an Irish-inclined relative.

Unfortunately, I didn't take any photos along the way. Worked in a 6" frame, it was again, a pleasure to stitch. The stitches are simple but varied. I made only one change, working the lettering in Quaker stitch, rather than the recommended backstitch. It took a couple of evenings to stitch, probably about 8 hours. The thread provided is organised on a card and in decent quantity. I had enough left to make a twisted cord but not so much I needed to find a storage solution. I appreciate a designer who takes the trouble to work out how much is needed, rather than oversupplying on a guess. 

I wanted to gift this as something that could hang on an office door. For those who are not into the Irish Gaelic, fáilte means welcome.  Failte Ireland is the trade mark of the Irish Tourism Development Authority. Pronunciation varies throughout Ireland, but standard is s something like Fallcha (easy enough to look it up).

While stitching it, I was fortunate enough to find a green 6" display hoop on the Guild's trading table. Perfect. 

I also had plenty of green ikat to use as a backing. The hardest bit of the exercise was stitching the backing on tightly to ensure both a smooth and a secure fit. I stretched and pinned, stretched and pinned and stretched and repinned. 

I then sacrificed a needle to working on a tight angle right on the edge of the frame. It worked,  I doubt a circular needle would have been any better, given the tightness of the angle.

It now sits firm and smooth.

I finished it late in November, but as it was a Christmas present, i have held this post over. 

I hope it does its welcoming job.