I have never tried hardanger although I have, a long time in the past, done a bit of drawn thread work.
Yvette Stanton designed the hardanger, and Janie Hubble the box.
It was a great project for a someone new to the technique. I took my time and worked it 'in the moment', relaxing into each stage.
The main thread, a variegated Cottage Garden Threads stranded cotton in Raisin is lovely to look at and lovely to the touch.
I like the notion of kloster blocks - the basic "bricks" of five satin stitches over four threads - as a way of defining the work, like the foundations of a building.
The instructions didn't mention a hoop, so I didn't use one. This was OK for the kloster blocks, but when it came to the next step - cable stitches - I decided a hoop would help keep the tension.
I have fixed my seat frame with an extra screw, but its hoop is too large so I used a hand hoop and wrist brace.
![]() |
| Cables completed |
I am surprised at the level of calm satisfaction this is providing as I add layer on layer to a small piece of linen!
| with little eyelet stars |
I had a few moments hesitation over the four sided stitches on the border - to complete each one or work cross-bars then sides? I nearly sent Yvette Stanton a message through Stitchaholics to ask - but decided not to be wuss. I went with the crossbars first.
The final step was the beading - so satisfying to put them in as a finishing touch. I have so enjoyed this project - lovely little steps that yield a big result and fantastic colours.

I have found some fabric for the box. That will be a bit of a challenge for me, as it requires really accurate measuring and cutting. I hope, to do justice to this piece, I can make a box I am happy to use.




